Rant Review: Masters of the Universe Origins Eternian Goddess figure

One of my earliest memories is looking at the very first MOTU minicomic, He-Man and the Power Sword, in the car on our way home from TG&Y, or possibly Howard's. (I'm not 100% sure which it was, as we frequented both stores in my youngest days.) I had just gotten the last figure the store had, He-Man himself, from the new MOTU line. As I looked at the art in the included storybook, I fixated on this image.

The green woman in the snake armor seemed infinitely cool and mysterious to me, and I wondered when there would be a toy of her. As it turned out, I only had to wait a few decades, as the Classics line delivered one in its first full year, though that figure was sadly compromised by production issues. And now, more than a decade after that, we have one in the style of the vintage toys in the Origins line! Now renamed the Eternian Goddess, she serves as the sole heroic character in wave six. Is she good enough to hold the line on her own, or is this figure saddled with its own equivalent of ECS*? Read on...

It's been awhile since I gushed about the packaging art for this line, as its consistent awesomeness can just be assumed at this point, but this figure features such excellent cardback art that it stands out even in this line! Axel Gimenez has channeled his inner Alcala, delivering a piece of art homaging the climactic scene from He-Man and the Power Sword! Check it out:

The figure's sculpt, unsurprisingly, is 100% reuse from Teela. I would have liked to see a new head here, as the original plan for the Goddess/Sorceress back in the day called for that, but Mattel's gonna Mattel, so what can you do? For those of us who haven't been lucky enough to snag a Teela from the newer production run, there is a vital difference: This figure has the new female knees! These knees look so much better, and correct THE major flaw that female figures in this line suffered from. We have presumably seen the last of the original knees, and that is a very good thing! I'm also glad that the figure is not molded in translucent plastic, as the Classics figure was. While the translucent look was cool, it didn't really make any sense, and I'm glad they went with a simple light green skin tone instead.

The paint apps in this wave seem to be much sloppier overall than previous waves, and that's no different here, unfortunately. There's a general slop and overspray in numerous areas of the figure, with the "belt" and furry parts of the boots as the worst offenders. The fur suffers from overspray, lack of full coverage, and such a thin coat of paint that the underlying red bleeds through in multiple areas. The face is very neat, at least, though that hardly makes up for the relative horror show the rest of the paint apps are. 

The Goddess has the line's standard articulation, with swivel & hinge shoulders, elbows, wrists, hips, knees, and ankles, swivels at the waist and calves, and a ball-jointed head. As ever, this is a very good articulation model that is lots of fun to play around with, and the parts pop apart at the usual spots for easy swapping, though I recommend heating the elbows, hips, knees, and ankles before popping them apart. My figure's right arm refuses to stay in its socket, and tends to fall out whenever you touch it, look at it, breathe near it, or think about it too hard. There's nothing visibly different about it, so I'm not sure what the problem is. The Goddess shares the same trio of accessories that we've seen with Teela, and they all function the same. The shield still has a tendency to fall out of the figure's hands, and the addition of a clip for the forearm would have been most welcome. It would have been nice to get the spear so we could give it to Teela in exchange for her snake staff, but again, Mattel doesn't tend to give us something new if they can avoid it. 

Despite being a 100% recolor of a previously released figure, the Goddess has been a highly anticipated figure for many collectors, myself included. There are a couple of alterations I'd have liked to see, but the figure does work as a simple recolor, and I'm glad to have her in the collection. And hey, no ECS*, so that's always a plus! Unfortunately, the paint apps are among the worst I've seen in the entire line, and on a figure that was so cheap for Mattel to produce, seeing them cut corners so obviously really rankles. Whenever costs are cut on action figures, the quality and quantity of paint apps are the first thing to suffer, and we're really seeing that in action here. I can fix these issues, but the fact is, I shouldn't have to. I still recommend picking up this figure, but just be aware that you'll likely have to either live with sloppy paint apps, or take the time to correct them. Once again, Mattel's cheapness has marred a figure I otherwise really like, and that's becoming a very disturbing trend with this line. That's all for today, but head back over next week for more! Until then, stay safe out there, and happy hunting!

*Exploding Crotch Syndrome, of course!

Rant Review: Masterverse Spikor figure (MOTU Revelation series)

The second half of the animated Masters of the Universe Revelation series is still over a month away, but wave two of the tie-in Masterverse line is already beginning to pop up! Thanks to Amazon, I managed to snag my first figure from this wave, Spikor! There's been some grumbling about his appaearance in the line, since he technically doesn't actually appear on the show. It's admittedly a somewhat odd inclusion, especially so early in the line's life, but he's a fan-favorite character with an interesting design, so I can definitely see the reasoning behind having him as part of the line in spiteof that. 

The sculpt shares many parts with He-Man, which should come as no surprise. The head and bracers are new, of course, and the spiky torso is achieved with armor rather than a new torso, a method previously employed with the MOTU Classics version of the character. The bracers are glued in place, which will be annoying to some, but at least it prevents them from sliding off when you're swapping the hands around. (The glue can be removed with a bit of trouble, of course, if one is so inclined.) The head has a great sour expression, similar to the grouchy "I just got up, where's my damn coffee?" expression on his Classics counterpart. The spikes are a bit sharper than I expected, but unlike the Super 7 Filmation Spikor, you couldn't use him to impale your enemies or anything like that. The armor compares favorably with the briefly-seen animated design, though asa result, it features the fewest spikes on any Spikor figure to date. As with He-Man, there's a total lack of texture sculpting on the armor, and while that matches the animated source for this design, there's enough added detail on other parts of the figure that its lack here seems incongruous. With a much greater level of detail on some parts than others, it seems at times that this line's designers don't know exactly what they want it to be. 

Spikor has far fewer paint apps than many of the other figures in this line, almost to the level of simplicity we typically see with the Origins line. What's here is applied neatly, however, including tricky apps such as the yellow eyes and fangs over the dark purple face, with no bleed through of the base color at all. There's a nice metallic dark pink/light purple on the light pink belt's inlay, providing some nice contrast with the largely dark color scheme of the figure. The light grayish-blue matches up pretty well on the armor and bracers, despite the bracers being molded in that color, while those areas of the armor are painted. There's a bit of slop around the fangs, but nothing too bad for a mass-produced toy. 

The articulation for this line continues to be one of its strong points. Spikor  has swivel & hinge shoulders, wrists, hips, and ankles, double elbows and knees, swivels at the boot tops, thighs, waist, and biceps, and a ball-jointed head and torso. The torso's range of motion is restricted quite a lot by the armor, but works normally when it is removed. The hips have the same slotted bar design as the male wave one figures, but it works much more smoothly here. I've put the figure in a variety of poses with the legs splayed out every which way, but I haven't run into any of the issues with the bar getting stuck that I ran into with some of the earlier figures. (Mostly He-Man.) I'd like to see the design team continue to tweak the articulation model here and there, as it's close to Marvel Legends level, the gold standard for mass-produced collector lines. A bit more work, and Masterverse can get there!

Spikor has a nice collection of accessories, as we've come to expect from this line. The thagomizer, pitchfork attachment, a pair of swappable hands, and the aforementioned armor offer a good variety of display options. The pichfork weapon is different from previous iterations, matching its appearance in Revelation. It has some nice sculpted details than have been left unpainted. It can be attached onto either wrist, or eschewed altogether if you want to display him with two hands. The thagomizer has a nice metallic finish, making its bright orange stand out even more on the shelf. The plastic used for it is a bit soft, and mine has already begun to wilt a bit after Spikor was posed waving it over his head for a few days. The armor attaches at the bottom on both sides, and slips on and off easily. 

Though a mildly controversial inclusion so early in the Masterverse line, Spikor is a very solid figure. I consider him a few tweaks away from perfection, as I would like more spikes on his armor, more paint apps, and some more detail in the sculpting, but those are really minor issues. As some of them arise from the figure's adherence to the animated source design, I can hardly fault the figure for that! Spikor is another worthy entry in the Masterverse line, and I'm happy to see a relatively minor character appear so early on. For those who don't have the Classics Spikor, this figure holds even more appeal as a much cheaper alternative! The design sensibility is close enough that he will fit into a Classics display just fine. This is another strong entry in a line I'm enjoying quite a bit, and after the Power Con reveals, I'm even more excited for this line's future! That's it for today, but bash your way back here Friday for the next review! Until then, stay safe out there, and happy hunting!

Rant Review: Masters of the Universe Origins Beast Man figure (Lords of Power)

As we saw a few months ago with Mer-Man, Mattel has released a recolored version of one of the figures from it's hideously expensive 2020 Power Con exclusive set at retail, to the consternation of some, and the delight of many. Personally, I applaud this decision, as it makes a very cool character variation available to a far larger number of people, and the new colors sufficiently distinguish it from the con exclusive. As with that Mer-Man figure, this version of Beast Man is based on the prototype of the figure from the pre-release period when the MOTU line was operating under the Lords of Power name. (For more information, check out the article on the always awesome Battle Ram blog!)

The sculpt shares most of its parts with the wave one Beast Man, unsurprisingly. These furry beast parts work well enough, and also serve to tether this version of the character to the standard version more strongly than all-new parts would. (Not that we were ever gonna get 100% new tooling here, of course, but the point still stands.) I don't think the head captures the look of the prototype as well as Mer-Man's did, but it's pretty close, and it definitely looks good regardless of any minor deviation from the source material. The new forearms work well with the existing pieces, and the spikes that protrude over the hands make for an interesting visual. Unfortunately, those damn smooth feet that look like baby booties were used again, when this figure really needed newly sculpted feet. I've never liked those smooth, featureless feet, yet they keep popping up when damn near anything else would be preferable. Given that Mattel has now sold this figure twice, and that they have at least one upcoming figure that could make use of new multi-toed beast feet, they really should have tooled a new, more appropriate pair here. Once again, Mattel's cheapness holds a figure back from reaching its full potential.

As I've mentioned in my other wave six reviews, paint apps seem much sloppier in this wave, and poor Beasty doesn't escape unscathed, either. The paint apps on the armor are neat with nice, crisp lines, but the head has its share of issues. The light yellow used for the teeth bleeds all onto the black area in the interior of the mouth, but that's not the worst of it. My figure had a big blob of bright orange paint that had been plopped right onto his left eye. There's no orange anywhere on this figure, so Grodd only knows where it came from! I scraped most of it off without much trouble, though I hadn't finished cleaning it off yet when I took the review photos, so traces remain. As for the figure's overall color scheme, the designers went with a dark red for the fur, similar to that seen on one of the character's B-sheet designs. Beast Man has the line's standard articulation, with swivel & hinge shoulders, elbows, wrists, hips, knees, and ankles, swivels at the waist and calves, and a ball-jointed head. As ever, this is a very good articulation model that is lots of fun to play around with, and the parts pop apart at the usual spots for easy swapping, though I recommend heating the elbows, hips, knees, and ankles before popping them apart. My figure's left ankle has a limited range of motion due to a bunch of excess plastic that is wedged into the joint! It'll be easy to trim it off, but there's no way this should have made it past QC!

Beast Man's only accessories are his armor set, but what an armor set it is! There's a big belt, possibly commemorating Beast Man's victory to become world champion of Eternia's jungles, and the large body armor. This piece, with its massive pauldrons and big, curved horns, has a fantastic design, and it does much to make the figure an intimidating presence on the shelf. It would have been nice to get some paint apps here, or even a wash to bring out all the sculpted details, but we all know by now that Origins isn't the line where things like that happen! While the prototype upon which this figure is based wasn't shown with any weapons, it wouldn't have killed them to at least toss in the standard Beast Man whip. 

Despite this figure's shortcomings, it's a very cool addition to the line, and exactly the sort of thing I was hoping to get when the Origins line was announced. I can see many collectors grabbing multiple of this figure to serve as henchman for the standard Beast Man, something I'm tempted to do myself, money and space allowing! It's just a shame that, once again, Mattel's relentless chintziness has held a figure back from being everything it could be. None of the issues I pointed out ruin the figure, but they do take what could have been a fantastic figure, and make it just a pretty cool one. This is still a figure I like quite a bit, so by all means, grab one if you have the chance. Just be aware that there are a few potential problems that may bug you. Of course, we always need to keep in mind that if you give one of these to a kid, though, they won't notice any of that stuff, and will have a blast playing with it! 

Rant Review: Masters of the Universe Origins Stinkor figure

Wave six of Mattel's Masters of the Universe Origins line is popping up across the country, though not in my city, as usual. Thankfully, BBTS has me covered, as the set I had on pre-order with them showed up at my house a couple of days ago. My reviews of that set kick off today with a look at one of the most beloved and infamous figures in all of MOTU, the smelly scoundrel himself, Stinkor! I'll tell you the bad news right off the bat: Stinkor doesn't stink, despite the packages claims to the contrary. Stinkor's package is the only one lacking the little vent at the bottom of the bubble, presumably to prevent the figure's patchouli-infused aroma from escaping, but this was an unnecessary precaution. The figure simply doesn't have his signature smell, and from comments I've seen across the web, none of them do. I'm not sure exactly what went wrong, but it's a shame this figure's key feature is missing. With that unfortunate bit of business out of the way, let's move on...

The sculpt is no surprise for anyone familiar with the character's past plastic incarnations, as he is a recolor of Mer-Man. As ever, the Mer-Man head sculpt is oddly far more appropriate for this furry fiend than for the scaly undersea warlord, though the smooth body and limbs are a bit incongruous. The Classics version of the figure went with the furry body that was originally planned for the figure during the prototype stage, but as Origins nearly always draws inspiration from the vintage toys, the route the designers took here is no surprise. The sculpt works as well for the character as it did in the vintage line's days, and fans of the character will not be disappointed. 

Stinkor traditionally has some of the trickier paint apps in the MOTU range, as the white and red on top of black is notoriously difficult for toy manufacturers to get right. Mattel has applied thick enough coats of white and red to avoid the black bleeding through for the most part, though bleed through is evident in some areas. The right arm on my figure has coats of white paint of varying thickness, and the bleed through is at its worst here. The cut lines are nice and crisp, though the red of the gloves doesn't exactly line up with the sculpted points of the gloves. This detail doesn't really bother me, but your mileage may vary. There's a major color mismatch between the painted red gloves on the forearms and the molded red hands, and that's a much bigger issue. The mismatch looks awful, and once noticed, you can't un-see it. The figure's head has more issues. Mine has a random bit of white paint on one lip, but this is thankfully hidden by the armor in most poses. The eyes are fairly sloppy, with wavy, unclear lines around the rims. The ribbed area around the eyes has not been painted fully, with only a thin white strip around the outer perimeter. This doesn't look inherently bad, but if you're familiar with how Stinkor figures normally look, including the vintage figure from which this one draws its inspiration, it's something you're bound to notice. I was particularly annoyed to see that the white stripe down his back only goes down to the top of the figure's armor! Every prior Stinkor figure has had a white stripe that went most of the way down the figure's back, and this is a distinctive feature of the character and skunks in general. This move reeks of cheapness even beyond Mattel's general M.O. of cost-cutting. None of these paint issues ruin the figure, but they do compromise its look significantly. 

Stinkor sports the articulation model we've become accustomed to with this line, with swivel & hinge shoulders, elbows, wrists, hips, knees, and ankles, swivels at the waist and calves, and a ball-jointed head. As ever, this is a very good articulation model that is lots of fun to play around with, and the parts pop apart at the usual spots for easy swapping, though I recommend heating the elbows, hips, knees, and ankles before popping them apart. Stinkor has his standard pair of accessories, his armor and shield. Both of these parts are traditionally reused, but we're seeing them for the first time in the Origins line. Stinkor's armor is a "pre-use" of Mekaneck's, and his shield is a blue version of the Castle Grayskull weapons rack shield. It was MIA in this line's version of Grayskull, however. It would have been nice to have the tanks that were added to the character's design in the 2002 days as an option here, but let's face it, that was never going to happen in this line. Armor and a shield aren't hugely impressive accessories, but at least both are new to the line, and Stinkor's main weapon is his stench, so he doesn't really have much need for a physical weapon, anyway. This wave's minicomic is also included, and while it's a nice bonus, it seems more than ever that these are simply dashed off  quickly, with little care. Still, I do love the fact that they're included, and I'm sure any kids who may get any of these figures will enjoy them more than the average adult collector! 

It may seem from this review that I dislike this figure, but that's really not the case. I actually like it quite a bit, it's just a shame that Mattel's cost-cutting has unnecessarily compromised its look. I'm not sure what happened with the figure's signature smell, as we were assured that it would be present, and the package even insists that the figure stinks. There may have been a mistake during the production run, or maybe the scent was applied and it simply wore off by the time it reached our shores. Whatever the case, it really sucks that the figure's main feature is simply not present. Stinkor is popular enough that the figure is sure to be a strong seller regardless, and I'm happy to have him in the Origins line. I just wish he wasn't a shadow of what he could, and should, have been. With a price increase incoming, Mattel really needs to be stepping up their game to justify the higher price, rather than doubling down on the cost-cutting. That's it for today, but swing back by next Friday for the next Origins review! Until then, stay safe out there, and happy hunting!

The LEGO Haunted House has electricity!

Just a quick update on my beloved Haunted House compound: I picked up a string of fiber-optic lights on clearance at Target a couple of years ago. Because I am so on the ball, I finally got around to actually installing them this week! They can display either red or green, or you can choose to have them alternate between the two. Personally, I prefer red.

The entire compound has grown quite a bit over the years, with a slowly but steadily expanding cemetery, and even the addition of a haunted lighthouse! I've been offered as much as $750 for the whole shebang, but this is something I won't sell unless I absolutely have to. I just love the damn thing too much! 

Rant Review: Masters of the Universe Ninjor figure

As one of the vintage MOTU line's final releases, Ninjor was a bit of an oddball that stuck out even in a sea of oddballs. Even among cybernetic elephant men and reptilian speed freaks with tires wedged into their torsos, a straight-up ninja transplanted to Eternia seemed a little weird. Ninjas were very popular fare in the late '80s, however, so it was perhaps inevitable that the team behind MOTU would slip one into the line in one form or another. Something that is particularly amusing to me is that, given the vintage figure's resemblance to Lee Van Cleef under his mask, the character seems to have been partly inspired by the TV series The Master, which really only remembered today for the good-natured mocking it received on Mystery Science Theater 3000! As with most of the line's late releases, Ninjor made few media appearances, and lacked much character development as a result. He continues to be one of the more obscure and maligned MOTU characters. Is his debut in the Origins line cool enough to overcome that? Read on...

From the neck down, Ninjor shares all his parts with Skeletor. Many have expressed puzzlement that an apparently human character would have the clawed hands and feet shared by many of the line's villains, but this always made perfect sense to me. I always assumed these were simply boots and gloves he was wearing to aid him in combat and climbing, no doubt inspired by my having seen ninjas use clawed devices for climbing in various movies. Of course, given that he does live on Eternia, there's always the possibility that he's not entirely human. However you rationalize it, the parts are accurate to the vintage figure, so they definitely belong here. The head is new, and while the mask is not removable on this figure, the part of the face that we can see certainly carries the same likeness. The shirt piece is not cloth, as it was on the vintage figure, but it is sculpted with a nice clothlike texture that works very well, as we saw previously with Scare Glow. 

The few paint apps the figure requires are applied very neatly, and despite some color combinations that are often problematic, the underlying color never bleeds through. Caucasian fleshtone over black plastic is a recipe for bleed-through, but non is present here. Ninjor has the articulation model we've become familiar with, with swivel & hinge shoulders, elbows, wrists, hips, knees, and ankles, swivels at the boot tops and waist, and a ball-jointed head. He's a very fun figure to pose, and none of the joints on mine are overly tight or loose. The pieces pop apart at the usual spots for easy swapping, but as always, I recommend heating the elbows, hips, knees, and ankles before popping them apart.

Ninjor has a nice assortment of accessories, with a katana, nunchaku, and a bow. The weapons fit easily into his hands, and so far have not shown a tendency to fall out. The nunchaku have a chain with actual individual links, which is a nice touch. With the two weapon slots on his back, you can have him hold one while storing the other two. I always appreciate when a figure's accessories can be stored on the figure itself, so this was a very nice surprise! All weapons are molded in silver, and while some additional paint apps would have been nice, their lack is not surprising. The wave four minicomic is also included, and while the tiny page count severely limits the kinds of stories that can be told, I'm still gleeful about getting actual minicomics with these figures!

The announcement of this figure's inclusion so early in the Origins line was a big head-scratcher for many collectors, but I was happy to see Mattel mix things up a bit. For most collectors, Ninjor is far from an essential character, but he has an interesting look, some cool accessories, and let's face it: Ninjas are still cool. A ninja with red demon boots, even more so! I doubt he'll be cracking any top ten lists, but if you tend to like the oddballs, as I do, Ninjor is a figure you definitely want to add to your collection. That's it for today, but infiltrate the blog again in three days for more! Until then, stay safe out there, and happy hunting!

Rant Review: Masters of the Universe Origins Zodac figure

Quite possibly the most enigmatic of all MOTU characters, Zodac has been portrayed as a hero, a villain, and something in between. In at least one early document, he was explicitly described as a bounty hunter. Ultimately, he was deemed neutral. For many children of the '80s, this was how we learned what the word meant! As a cosmic enforcer, Zodac has generally been portrayed as immensely powerful, seeking to ensure that the balance of power between good and evil is never tipped too far in favor of one or the other. Often depicted flying around in a cosmic chair a la Metron of the New Gods, he never wears pants, despite the vast coldness of space. 

The sculpt is the same rather odd hodgepodge of parts from other figures, as with the vintage toy. The level of sculpted detail remains good, with some particularly nice detailing on the scaly boots and the hairy torso. The head is new, and follows the line's M.O. of replicating the vintage design with slightly sharper details, for the most part. There are a couple of spots where things are a bit soft, such as the notch or "buckle" on the right jaw. The back of the head has some different design elements, notably a small hole near the top of the helmet that I've certainly never noticed on any Zodac figure before. I have no idea what purpose it's meant to serve; it just seems to be there for no apparent reason.

What few paint apps there are have been applied neatly, particularly the exposed area of the face. The black eyes have a gloss sheen, lending them a goggle-like appearance, which is a nice touch. Zodac has the usual articulation, with swivel & hinge shoulders, elbows, wrists, hips, knees, and ankles, swivels at the waist and boot tops, and a ball-jointed head. This remains a very nice articulation scheme that is loads of fun to mess around with and pose, and the joints move easily and hold poses well. They still pop apart at the usual spots for easy swapping, though as always, I recommend heating the elbows, hips, knees, and ankles, before popping them apart. 

Zodac's accessories are his usual pistol and armor. Both are pretty close to the vintage designs, with a few slight differences. The armor deviates more than the pistol, most notably with the size of the cosmic enforcer emblem on the chest. It's much thinner than we've seen on other Zodac figures. The sculpting is also noticeably softer in a couple of areas, most notably on the straps that run on either side of the waist. Where the vintage figure had some large bullets sculpted here, the Origins version simply has a featureless line. This was one of those cool little details that enabled you to use your imagination and come up with your own explanation, thus broadening the mythology of the character and the world. It's a shame to see that the design team didn't see fit to include it here. It also would have been nice to get some gun blast effects or something, as this is another figure with heavy parts re-use that feels mighty light on accessories. The wave four minicomic is also included.

With his relatively bland design and color scheme, Zodac isn't the most exciting figure. The air of mystery that still surrounds him lends him a certain cool factor, though, and for fans of the original 8-back, he's absolutely essential. As someone who's always gravitated toward the early MOTU mythology and cast, I'm happy to have him show up in the line so early on. He's not the most amazing figure in the line, but he's solid, and having this armor and head offers ample opportunity for customizers eager to create their own army of cosmic enforcers, so there's that! Whether you plan to make him a member of Skeletor's army, induct him into the ranks of the heroic warriors, or just have him hang out with the Sorceress in Castle Grayskull, Zodac is a worthy addition to the MOTU Origins lineup. That's it for today, but ride your cosmic armchair back over here in three days for more! Until then, stay safe out there, and happy hunting! 

Rant Review: Masters of the Universe Origins Hordak figure

Hordak has often been a somewhat controversial figure among MOTU fans over the years. One of the biggest debates that frequently pops up concerning him is whether or not he is considered a MOTU or She-Ra villain. Proponents of either point of view have a strong case, as he featured as the main antagonist in the Filmation POP cartoon, but the Horde were only released as actual toys as part of the MOTU line, and featured heavily in the various comics that followed their creation. Even his backstory was controversial when he first introduced. Putting aside the clumsy retcon of employing him to steal an infant princess that had never before been mentioned, the very idea of making him Skeletor's mentor rubbed many young MOTU fans the wrong way. Personally, even as a child, I rejected that backstory, as it diminished Skeletor. But despite that, I found Hordak, and the Horde itself, to be pretty cool and interesting. It was a great idea to introduce a third faction that was after the destruction of both Skeletor and He-Man, and the figures themselves boasted some very cool and creepy designs. Thus, while he was never Skeletor's mentor in my mind, Hordak was a worthy villain who featured pretty heavily in my MOTU adventures after I received the figure as an Xmas gift. We've gotten some truly great figures of the Horde's supreme leader (none of that "Horde Prime" stuff for me!) over the decades, so how does this new version stack up? Read on...

Following the Origins template, Hordak replicates the vintage toy's design, with some minor differences. The most noticeable deviations are the eyes, which are significantly smaller. The chitinous rim of his headpiece and the warts on his head are also more clearly defined, and the points on his forehead ridge are a bit more pronounced. The bulk of the figure uses the standard humanoid body, though his gloves and boots are new. The Horde armband is a separate piece, rather than a sculpted element on the arm. His facial expression seems slightly different, coming off a bit more annoyed or grouchy than the vintage figure's barely contained malevolence. On close examination, however, I think this is more due to the paint apps than the actual sculpt.

Speaking of those paint apps, what's here is applied pretty neatly. Even somewhat tricky apps, such as the red bats over black boots and armor, are thick enough that the black does not bleed through. There are more differences from the vintage toy in this category, especially with the eyes and the surrounding area. Whether or not this is a bad thing is a matter of personal opinion, but there are quite a few variants out there, so you can probably find a Hordak head to suit your tastes. The Origins line's tendency to brighten up the color scheme is only partially in effect here. The shades of white and red used on the head, armor, and cape are indeed much brighter, but the shade of gray used for Hordak's skin is far darker than what we've seen before. The "jowls," gray on the vintage toy, are black here. 

Hordak has the standard articulation, with swivel & hinge shoulders, elbows, wrists, hips, knees, and ankles, swivels at the calves and waist, and a ball-jointed head. The head's range of motion is limited a bit by its design, but it's better than I expected. Hordak's accessories include the aforementioned armor and armband, his bat shield/sidekick, and his crossbow. The bat clips snugly into place on either of his forearms, and the plastic used is a more rubbery kind that seems less likely to cause the band to snap off, an issue that plagued many vintage Hordak figures. The crossbow is a bit trickier to get into proper position, and is prone to fall off the figure's arm. The cape attached to the armor is actual sculpted plastic, rather than the thin sheet of plastic used for the vintage version. It's a soft, rubbery plastic, and that, combined with its short length, prevents it from interfering with posing in any major way. The wave four minicomic is also included. With so many of the figures in this line coming up short on accessories, it's nice to get a figure like this that has a good assortment. A version of the staff from the 2002 and MOTU Classics iterations of the character would have been nice, but there's enough here that I don't feel cheated without it.

As the leader of one of the main factions, it was vital that Hordak be done properly, and I'm pleased to say that the design team has done it. Hordak's interesting design makes him stand out on the shelf, even all by himself. It'll be even better when we have enough of his cronies in figure form that the Horde can have their own corner of the Origins display! Whatever your feelings about where the Horde belongs on the toy shelf or in MOTU lore, Hordak is a well-made figure, and worthy addition to the collection. Now bring on the rest of the Horde, and some Snake Men! That's it for today, but keep scrolling for more photos, and open a portal back here in three days for more! Until then, stay safe out there, and happy hunting!

Rant Review: Masterverse Moss Man figure (Revelation series)

We come to the end of the road for Masterverse reviews, for now anyway, with Moss Man! Following a leaked prototype photo last year, Moss Man was the the first glimpse we had of how an actual figure in the Masterverse line might look. (As well as for the Revelation series itself, for that matter.) While the final figure has some obvious differences-- the prototype seemed to have used a Classics figure as its base-- the general design has carried over. The redesign spurred the usual debate among fans and collectors, with some opining that Moss Man without flocking simply isn't Moss Man. While I feel that's excessive, the loss of flocking is a shame, and it remains a sticking point for many. Is this figure cool enough to merit a spot in your collection without a reliance on his traditional gimmick? Read on...

The sculpt on this figure is fantastic, easily the most detailed and eye-catching of the figures released so far. I haven't seen this confirmed anywhere, but it's rumored that the Four Horsemen had a hand in this figure's design. Given the level of detail on display here, I can certainly believe it. Various wood-like, leafy, and mossy textures are lovingly rendered, with nary an inch of the figure lacking in detail. Moss Man has a rather angry facial expression, evoking the vintage figure's ferocious face without simply giving him a repainted Beast Man head again. (I would have liked an alternate head with a more serene expression, but apparently that just wasn't in the cards.) Excellent work here, though it does make me wish the other figures had the same level of detail in their sculpts. 

The paint apps on this figure are kinda all over the place. The eyes and teeth are neat, but many of the brown vines and wooden portions are extremely sloppy. There are numerous examples of the paint either not filling the appropriate area, or glopping over onto another. You'll find other areas where the paint has been applied very neatly, making these messy areas stand out all the more. Thankfully, with such a busy sculpt, full of overlapping textures, it doesn't hurt the figure nearly as much as it would have on one of the other less detailed figures. It all sort of fades into the overall design, and manages to work pretty well despite the messiness. Unfortunately, there is still plenty of areas that have been left unpainted, and are crying out for a wash or some drybrushing. The figure looks good as it is, but once I spend some time doing some detail painting, it should look even more impressive! 

Moss Man sports the line's standard articulation for the most part, with swivel & hinge shoulders, wrists, hips, and ankles, double elbows and knees, swivels at the thighs, waist, and biceps, and a ball-jointed head and torso. Nearly all of these points of articulation move smoothly and hold poses well, though he has the same odd hip construction as Skeletor and He-Man. Everything works as you'd expect until you hinge the legs outward, at which point the barbell piece inside the crotch drops down. This allows a greater range of outward motion for the legs, but the problem is that the barbell doesn't always want to pop back up when you move the legs inward. As with Skeletor, this piece moves back into place with considerably more ease than it does on He-Man. He lacks the side-to-side tilting in the feet, and the cut at the calves, which is a shame. Moss Man has two pairs of swappable hands and a large wood/vine piece that can pop onto either wrist. The vine piece is long, unwieldy, and rather heavy, so the figure is prone to tipping over when it's attached. It takes a bit of work to find a pose in which he can remain standing while using it; thankfully, he has those huge feet to help keep him balanced. Personally, I would have preferred the swappable head I mentioned above, or a new version of his traditional mace, but this is a cool accessory, nevertheless.

Despite coming up a bit short in articulation and accessories, Moss Man is a very cool figure. He's neck and neck with Evil-Lyn for my favorite of the figures released so far. The lack of flocking may be a deal breaker for some, but I feel the fantastic level of detail in the sculpt helps make up for that. This version of Moss Man makes is an imposing presence on the shelf, and truly feels like a powerful, godlike entity for the first time. Don't sleep on this one. He seems to be lingering on store shelves a bit longer than his wave one brethren, but as a fan-favorite character, he's sure to sell eventually. If you're on the fence about getting him, I definitely wouldn't wait too long! Although I have every previous figure of Moss Man, I'm very glad to have added this one to my collection. He's different enough, and cool enough, to be compelling even among that illustrious company. That's it for today, but head back this way Friday for the next Origins review! Until then, stay safe out there, and happy hunting!

The 007 Re-Read Project: James Bond and Moonraker by Christopher Wood

Much like the book we looked at last week, James Bond and Moonraker was written by Christopher Wood based on his screenplay for the film. Unlike The Spy Who Loved Me, however, Moonraker actually has some ties to the original Fleming novel, tenuous though they may be. This results in a rather odd situation, as the book is written as if it is canonical to the previous novels, but features specific characters and concepts Bond has already encountered. It's not a big deal, of course, just a bit of weirdness you have to handwave away. I was particularly interested to read this novelization, as the movie is one of the most derided of all the Bonds. With the alterations Wood made to James Bond, The Spy Who Loved Me to make it more in the vein of the literary 007, I was curious about whether or not a similar approach here would make it more serious and grounded than the movie. There are quite a few differences between novelization and film, but as with Wood's previous book, there's no way of knowing which are due to the book being based on an early draft of the screenplay, and which are due to changes made with the intention of making this book mesh better with the others. Whatever the case, it makes for an interesting reading experience. As ever, I do my best not to blow the entire plot, but there are SPOILERS AHEAD! 

Things kick off with the mid-air hijacking of the Moonraker, a space shuttle that can travel into space and back to earth, landing like a normal airplane. It was created for NASA by Hugo Drax, an ultra wealthy businessman who doesn't want to cede control of space to the Russians. As the Moonraker was being loaned to the English government in exchange for sharing some top-secret tech of their own, the secret service is now involved. Bond heads to Drax's estate to begin his investigation, and quickly develops suspicions about Drax himself. Bond's eventual ally in his investigation is the hilariously-named (even by James Bond standards) NASA pilot and CIA agent Holly Goodhead. Once Bond becomes a big enough concern, Drax enlists the aid of none other than the indomitable Jaws to snuff him out. 

Wood again writes Bond far closer to Fleming's version than what audiences were currently seeing onscreen, and that is to the book's advantage. Many of the more controversial aspects of the film-- the gondola hovercraft, the double-taking pigeon, Jaws's girlfriend, to name a few-- are absent, and the overall tone is more serious. There are several sequences that are downright intense, some of which are played for laughs in the movie. A couple of the movie's strongest scenes are absent, such as the fate of poor Corinne (named Trudi in the novel) and the shooting scene with Drax and Bond. Drax himself is virtually identical physically to the character in Fleming's novel, and there's a nice reference to his predilection for playing bridge, which featured heavily in the Fleming novel. Bond wonders to himself what side he fought on back in the war. Surprisingly, we never get any background information on Drax, so we're left to wonder along with him. It could be that Wood's intent was for the character to share the same history as the Fleming version, but his overall demeanor and Ra's al Ghul-esque motivations are incongruous with that. In any case, he's an effective villain, and I find him more interesting than the previous book's Stromberg. Drax's first henchman, Chang, seems an attempt to create an Oddjob sort of villain, but he receives no development, and falls far short of that standard. His battle with Bond in Venice is a highlight, however, and far more violent that anything we'd see in any of Moore's Bond movies. 

Holly fares much better as a heroine than Anya did in Wood's previous book, getting the better of Bond on a couple of occasions, and her skillset proves absolutely vital in the book's final act. Jaws is, if anything, even more formidable than before, and seems to be virtually indestructible. (His survival of the destruction of Atlantis in the previous book, by the way, is not explained. Where he is shown to clearly have survived in the movie, the novelization saw him in a situation seemingly guaranteed to result in his doom. I wondered how Wood would address it, if at all, and it turns out that he didn't. Not a big problem, just worth pointing out.) Without the addition of his girlfriend-- though he does save a female astronaut from Drax's space station during the climax, she's clearly not the same character-- his turn hinges entirely on Bond pointing out how he himself will ultimately be disposed of once Drax no longer has need of him, as he clearly will not fit into his idea of genetic perfection. His scenes following his face turn are far stronger than in the movie, and one gets the sense that his selflessness in saving Bond, Holly, and the unnamed astronaut are an attempt to condone for all the horrible things we've seen him do prior to this. It's a strong (possible) end for "the man with murder in his mouth."

Notable quotes:

There may have been something slightly vulgar about the display of so much wealth, but it was a very genuine vulgarity.

"I want you to look after Mr. Bond, Chang," [Drax] said slowly. "See that some harm comes to him."

The voice was as cold as that of a mid-western Baptist schoolmistress making her first trip east of the Great Lakes.

Poor Q. He produced equipment for every contingency and yet was furious whenever one arose.

"Mr. Bond--" the voice echoed down from above, and conveyed a note of genuine regret "-- you defy all my attempts to plan an amusing death for you."

His smile was like a crack on a gravestone.

"At least I will have the pleasure of putting you out of my misery."

Whatever your feelings about the film version-- personally, while I find all of the common criticisms of it valid, I still like it and enjoy watching it for some damn reason-- James Bond and Moonraker is a damn entertaining book. The plot meanders a bit, as does the movie, but Wood keeps a quick pace, and his wit and clever turns of phrase keep things enjoyable. It's a bold, sprawling adventure, exciting and ridiculous in equal measure, much like the movie itself. I find myself wishing that Wood had written more Bond novels, particularly some not based on the movies. Recommended. 

That's it for today, and I'll be skipping next Monday, but fly back here in two weeks, as we move into the John Gardner era!